Filmmaking: After Time Spent Interviewing, Editing, Remember Story Is King
When I started putting my energy into how to tell the best stories, I was able to see some dramatic results in my preparation, conducting of interviews and editing.
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Visual Arts ResourceFor Lighting Design, What Software Is The Right Match For Your Needs? (Part 3)
Dig into this final part of a three-part series that looks into choices for lighting design software, including Vectorworks and LightConverse, and how each can best serve the needs of your church.
Nathan was a speaker at WFX this year in Dallas. For 2018, the conference is slated for Orlando in November. We hope to see you there.
The worst interview I ever did, that played, took four hours to film.
I remember thinking, “this guy is terrible,” as he rambled, his thoughts weren’t cohesive, he wouldn’t repeat the question in his answer and he slouched.
The final piece came out OK, but it took forever to cut that much footage down to 3-5 minutes.
The biggest problem, though, with the interview was me.
I spent all my time before we filmed looking for a cool spot, finding creative elements, setting up all the cameras and the jib - but none of my time was spent dealing with the story.
Pastor said to film it, so I scheduled it and then the guy showed up. I was banking on the hope that the story would come and I would chop it up to the right length. The guy rambled, though, because he was nervous. My fault. His thoughts weren’t cohesive, because I didn’t lead the interview with intention. My fault. He wouldn’t repeat the question, because I was trying to say stuff for him and he would just go, “Yeah, that happened.” My fault. He slouched, because the interview went so long that I got tired of asking him to sit up. My fault.
A couple years and many frustrating editing sessions after that, I was turned onto the idea of structure. I would hear the motto, “Story is king,” and think, “Got it.” But “story is king” is not referring to the cool parts of the story that turned our heads. The biker on meth story is dramatic, but structure is how you tell it. When I started putting my energy into how I tell the story, I was able to see some dramatic results in my preparation, conducting of interviews and editing.
Here are some tips on how I structure salvation stories that are intended to play in a church service.
Three Act Structure
Act 1: Life as normal and then something happens that disrupts that life.
Act 2: The subject of your story deals with the disruption head on.
Act 3: Then there is a new normal that is a synthesis of what they have learned and experienced, that they carry with them after the journey.
Latest ResourceWorship Facilities Magazine, March-April 2018
The March-April 2018 issue of Worship Facilities Magazine offers articles about how to prepare, prevent and respond to church violence, a look into what church management software can do for your church community, and a piece on how a once popular nightclub venue was transitioned to become Shoreline Church's new home.