Intentional Lighting: From Cues to Color Theory
One of the best things you can do as a lighting director (or technical director who programs lights) is learn color theory. Different colors make you feel different things.
Lighting NewsBudgeting and Maintenance: Plan For The Long-Term, Avoid Unwanted Surprises Stage Design: Constantly Be On The Lookout for Inspiration Set Design: Creating an Inviting, Worshipful Space Intentional Lighting: From Cues to Color Theory
Lighting ResourceUsing LED Video Panels as Lighting
VAST Technologies equips massive worship center with 100 Elation Pro Video Series LED displays.
After more than a decade as a Technical Director and now serving churches across the country, one thing I see so many churches struggle with is intentionality. Why the music is the way it is, why we mix the way we mix, why we shoot the camera shots we shoot, and more are just some of the areas that I feel like often churches sort of just feel their way through without any real thought as to why they’re doing it that way.
I’d like to hit on the area that I see churches be the least intentional with, which is lighting. I could be wrong on this but I’m not sure there is another discipline that ends up being less intentional than lighting. And it’s not just in churches. I see all kinds of random lighting all over the place. But I think this is an area where some planning and thought can make a huge difference.
Earn the Cue
Perhaps one of the best pieces of lighting advice I’ve ever received came from my friend Daniel Connell at Church on the Move. Several years ago at Seeds, he was talking about his approach to lighting and he gave us his criteria for adding a lighting cue to a program. He said, “The moment needs to earn the cue. If there isn’t a benefit for a new cue, I don’t do it.” I’ve repeated that phrase over and over to my lighting guys in the past and use it myself when programming. The way this plays out for me is in simplicity. I don’t have a compulsion to do three cues per verse, nor do I run animations all the time. When there is a build in the song, I’ll write a new cue. But if the feel of the song is consistent throughout, it will likely only get one or two. And sometimes the best lighting is super-simple?one look will keep the focus where it needs to be.
Learn Some Color Theory
One of the best things you can do as a lighting director (or technical director who programs lights) is learn color theory. Different colors make you feel different things. Do you know which ones conjure up which feelings? I’m not going to go into a bunch of color theory here; you can Google it. But there is a really good reason we use red for our communion songs and yellows, turquoise and purples for many of our worship songs.
Latest ResourceWorship Facilities Magazine, November-December 2017
The November-December 2017 issue of Worship Facilities Magazine offers a review of the 49 New Product Award entries this year, as well as those entries up for Solomon Awards in 2017.