Motion Graphics In Worship Key To Creating Right Visual Atmosphere
Great visual atmospheres don’t just happen; they are birthed out of proper preparation and plenty of rehearsal.
Photos & Slideshow
Motion Graphics NewsFOR-A to Highlight Graphics, Animation Integration at InfoComm 2017 Motion Graphics In Worship Key To Creating Right Visual Atmosphere
Visual Arts ResourceLighting Consoles Guide: Shedding Light On Choices
Learn about a half-dozen options that are particularly scalable, beginning with personal computer operability, all the way up to multiuniverse, full-size lighting consoles.
Last week, I found myself surrounded by 8,000 church leaders in an arena located northeast of Atlanta, Ga. Our live events team was hired to run all the motion graphics during worship at the Orange Conference, a conference designed for entire family ministry teams.
The video setup was the focus of the stage design; a larger-than-life LED wall display that consisted of six distinct 1920x1080 outputs. All of this video was being played from one single media server. The LED wall was 40 feet wide by 20 feet tall, and had more than 5.7 million pixels, which required an inordinate amount of attention to the details.
Motion backgrounds in worship play a tremendous role in creating the right visual atmosphere. In turn, they also have the likelihood of distraction.
Here are a few things I did at the Orange Conference to prevent distraction as much as possible.
1. Don’t overload a song with too many graphics.
For the most part, I would use two (maybe three) different motion graphics per song. Most of the time, I was changing a motion to add just a slightly different texture or color to match the shift in musical emotion. For example, I may have a collection of media from a single producer and use three different motions; one for the verses, one for the chorus and one for the bridge. Each of these areas is musically unique enough that it helps to elevate the energy and emotion by pairing them with a different visual.
2. Always match the lighting and motion background colors.
No matter how large the video setup, I always work hand in hand with the lighting designer to create a cohesive visual story. The larger the display, the more important this rule becomes. Distraction comes about when something feels out of order visually, and this is why matching color is such an important principle. As a band member must play the same chords for us to not be distracted by the horrendous music, technicians and visual worship leaders must also play the same creative chord.
3. Be OK with nothing on the screens.
On numerous occasions, I would let all or most of the song to be void of a motion graphic. When you have a wall with 5.7 million pixels, it’s a lot to take in visually. And thus, the right motion background can be incredibly effective. On the counter, it’s just as effective when there is nothing on the wall, because it provides visual rest and contrast to the rest of the design.
Latest ResourceWorship Facilities Magazine, November-December 2017
The November-December 2017 issue of Worship Facilities Magazine offers a review of the 49 New Product Award entries this year, as well as those entries up for Solomon Awards in 2017.